Dara Taylor
Audio and music tech
- Audio gear
- Music software
- CES
Dara writes about the hardware and software a working composer actually keeps open: interfaces, monitoring, sample libraries, notation and the long tail of plugins that promise to save an afternoon.
She scores film and television, which decides what counts as a pass here. A tool that sounds fine on a demo loop and falls over on a cue with a deadline on it has not passed. She covers CES for Drafted Tech alongside the rest of the desk.
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